Macapat Aesthetic Education in Contemporary Era: the Descriptive Analysis of Tembang Pangkur and Maskumambang on Wayang Kekayon Khalifah
Abstract
Macapat is a traditional New Javanese poem in the form of a tembang bound by established conventions. The conventions are guru gatra 'number of lines per verse', guru wilangan 'number of syllables in an array', and guru lagu 'sound of syllables at the end of the line'. Singing poetry is because in its reading it is sung. Tembang macapat is based on the beauty of the titillaras arrangement of 'notations' that match the meter pattern. The art of the beauty of this macapat song has been used since around the XV century AD until now. The use of this macapat song is used in various writings, one of which in the contemporary era is in the Wayang Kekayon Khalifah. The author wants to present the beauty of the macapat song in Wayang Kekayon Khalifah as an effort to present education through songs in the present or contemporary era. There are two macapat songs that the writer presents, namely, Maskumambang and Pangkur. It aims to help the reader understand the song's beauty when used for educational facilities. The results of this paper indicate that the macapat songs of Maskumambang and Pangkur can present beauty in the present era of education. The macapat song in the Wayang Kekayon Khalifah gives the old color of new packaging in the world of education. So that macapat can still be present with its beauty in the present era.
References
Bandem, I. M., Bandem, I., & Murgianto, M. (1999). Teater Daerah di Indonesia. Yogyakarta: Kanisius.
Becker, A. L. (1979). “Text-Building, Epistemology, and Aesthetics in Javanese Shadow Theater,” dalam Alton L. Becker, dan Aram A. Yengoyan, ed. The Imagination of Reality Essays in Southeast Asian Coherence Systems. Norwood, New Jersey: Ablex Publishing Corporation.
Cohen, M. I. (2007). Contemporary Wayang in global contexts. Asian Theatre Journal, 24(2), 338–369. https://doi.org/10.1353/atj.2007.0032
Harnish, D. (2003). Worlds of wayang Sasak: music, performance, and negotiations of religion and modernity. Asian Music, 34(2), 91-120.
Hartana, S. S. (2017). Origins, journeys, encounters: a cultural analysis of wayang performances in North America (Doctoral dissertation).
Junaidi, J., & Aji Suseno, B. (2020). Perubahan Balungan Lampahan dalam Pakeliran Wayang Kulit Purwa Gaya Surakarta. Dance and Theatre Review, 3(2), 104. https://doi.org/10.24821/dtr.v3i2.4422
Lutfianto. (2017). Analisis Struktur Naratif Mulabukaning Dakwah Rasul dalam Wayang Kekayon Khalifah Lakon I: Jurnal Ikadbudi, 6(1), 94–100.
Lutfianto. (2018). Wejangan Sunan Kalijaga Kepada Kyai Pandanarang dalam Babad Demak Pupuh XXXIX: Sebuah Pembahasan Stilistika. Jurnal Alayasastra, 14(2).
Lutfianto. (2020). Tarjamah Ayat-Ayat Al-Quran dengan Tembang Macapat dalam Wayang Kekayon Khalifah Yogyakarta: Jurnal At-Turāṡ: Jurnal Studi Keislaman, 7(1), 52–61. http://doi.org/10.33650/at-turas.v7i1.1005
Lutfianto, L., & Munip, A. (2021). Descriptive Analysis on the Plays of Wayang Kekayon Khalifah : A Collaboration Among Calligraphy, Wayang Arts, Islamic Dialogue, and Java Culture . Proceedings of the 2nd Annual Conference on Education and Social Science (ACCESS 2020), 556(Access 2020), 506–510. https://doi.org/10.2991/assehr.k.210525.137
Nurgiyantoro, B. (2011). Wayang dan pengembangan karakter bangsa. Jurnal Pendidikan Karakter, 1(1).
Osnes, M. B. (2010). The Shadow Puppet Theatre of Malaysia. Jefferson, North California: McFarland & Company, Inc.
Prabowo, D. P., & Priyo Prabowo, D. (2007). Glosarium Istilah Sastra Jawa. Yogyakarta: Narasi.
Poepaningrat, Pranoejoe. (2005). Nonton Wayang dari Berbagai Pakeliran. Yogyakarta. PT. BP. Kedaulatan Rakyat.
Scott-Kemball, J. (1959). Kelantan Wayang Siam Shadow Puppets ‘Rama’ and ‘Hanuman’. Man, 59, 73-78.
Senawangi, & Senawangi, T. (1999). Ensiklopedi Wayang Indonesia. Jakarta: Senawangi.
Sudarsono. (2012). Garap Lakon Kresna Dhuta Dalam Pertunjukan Wayang Kulit Purwa Gaya Surakarta Kajian Tektual Simbolis. Jurnal Harmonia- Jurnal Pengetahuan Dan Pemikiran Seni, 12(1), 75–86.
Sumarsam, & Sumarsam, S. (2018). Memaknai Wayang dan Gamelan: Temu Silang Jawa, Islam, dan Global. Yogyakarta: Gading.
Sunarto, & Sunarto, S. (2012). Gendeng Dusun Kerajinan Wayang Kulit Purwa Yogyakarta Kelangsungan dan Perubahannya. Yogyakarta: Lembaga Penelitian ISI Yogyakarta.
Sunyoto, A., & Sunyoto, A. (2016). Atlas Wali Songo. Jakarta: Pustaka Ilman.
Suwarno, & Suwarno. (2012). Buku Ajar Seni Tembang. Yogyakarta: Program Studi Pendidikan Bahasa Jawa Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta.
Tati, K. (2019). Pendidikan Agama Islam Berbasis Budaya Lokal (Studi Nilai-Nilai PAI dalam Wayang Kekayon Khalifah Lakon Mulabukaning Dakwah Rasul Karya Lutfi Caritagama). Skripsi Program Studi Pendidikan Agama Islam Fakultas Ilmu Tarbiyah dan Keguruan UIN Sunan Kalijaga.
Van der Hoeven, M. L., Widdershoven, G. A. M., van Duin, E. M., Hein, I. M., & Lindauer, R. J. L. (2021). “Time for Tony the Turtle”: Experiences with the use of a hand puppet in a program for young children in domestic violence shelters. Arts in Psychotherapy, 75. https://doi.org/10.1016/j.aip.2021.101840
Zarkasi, E., & Adnan, A. B. (1996). Unsur-unsur Islam dalam pewayangan: telaah atas penghargaan Wali Sanga terhadap wayang untuk media da'wah Islam. Yayasan Mardikintoko.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Copyright
- The Author and each co-authors transfer the copyright and grant the journal right of publication with the work simultaneously licensed under an International Creative Commons Attribution and ShareAlike 4.0 License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors should sign copyright transfer agreement when they have approved the final proofs sent by ISLAMIC RESEARCH prior the publication.
Author Guarantee
- The Author (Co-authors) guarantees that the Materials are an original work, submitted only to ISLAMIC RESEARCH, and have not been published previously.
- In case the Materials were written jointly with Co-authors, the Author guarantees that he/she has informed them of the terms of this Agreement and obtained their signatures or written permission to singe on their behalf.
- The Author guarantees as well that:
- The Materials do not contain libelous statements.
- The Materials do not infringe on other persons' rights (including without limitation copyrights, patent rights and the trademark right).
- The Materials do not contain facts or instructions that can cause damage or injury to third parties and their publication dose not cause the disclosure of any secret or confidential information
ISLAMIC RESEARCH is Published by Perhimpunan Intelektual Muslim Indonesia, and licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Copyright ©2022.


