Utsman bin Mazh'un in Visual, Literature and International Exhibition
Keywords:
Wayang Kekayon Khalifah, Praga Uthman bin Mazh'un, Two visual reviews, Literature and international exhibitions
Abstract
This paper aims to discuss Uthman bin Mazh'un's paragraph in visuals, literature in the Nusantara and the international exhibition of the power of the Ka'bah II. The character of the Prophet Muhammad's companion is that of a friend who cares about others' suffering. Next, the visual form of paraga Uthman bin Mazh'un will be explained, along with its meaning in a review of Indonesian literature and in the international exhibition of the power of the Ka'bah II. Visual, literary, and exhibition discussions will help readers understand the character in a cultural context. Visual paraga in the form of wayang implies a specific message to the audience. Especially when exhibited on the international scene. Apart from that, the messages in Javanese literature are moralistic and intended for connoisseurs. Therefore, Uthman bin Mazh'un's paragraph in the wayang Kekayon Khalifah can serve as a beautiful educational tool for the public, both in appearance and language.
References
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Putri, V. A., & Az Zafi, A. (2022). Membongkar hukum akulturasi budaya Sunan Kalijaga. Tsaqofah dan Tarikh: Jurnal Kebudayaan dan Sejarah Islam, 6(2), 9–23.
Ras, J. J. (1982). The social function and cultural significance of the Javanese Wayang Purwa theatre. Indonesia Circle. School of Oriental & African Studies. Newsletter, 10(29), 19–32.
Setiawan, A. (2022). Polemic and reasons for reusing wayang and gamelan as a medium for contemporary preaching of Islam in Central Java, Indonesia. Harmonia: Journal of Arts Research and Education, 22(2), 254–267.
Sirithorn, S., Siriwan, S., & Sukhumvada, S. (2022). Thai theatre and the interplay of perfection and imperfection. In Imperfectionist aesthetics in art and everyday life. Routledge. https://www.taylorfrancis.com/chapters/edit/10.4324/9781003251361-12/thai-theatre-interplay-perfection-imperfection-sirithorn-siriwan-sarawanee-sukhumvada
Syafril, E. P. E., & Agel, N. A. (2022). Wayang Sada (Sodo): A medium of Indonesian language learning and cultural introduction for foreign learners. London Journal of Social Sciences, 2(4), 1–12.
Ayoub, M. M. (2003). The crisis of Muslim history: Religion and politics in early Islam. Oxford: Oneworld Publications.
Bayat, A. (2002). Piety, privilege and Egyptian youth. ISIM Newsletter, 10(1), 23–23.
Bayat, A. (2013). 6. The politics of fun. In 6. The politics of fun (pp. 129–150). Stanford University Press. https://www.degruyter.com/document/doi/10.1515/9780804786331-008/html?lang=de
Bazheir, N. A. G. (2022). The stages of the play’s development from ancient Arab times. Journal of Positive School Psychology, 6(10), 2804–2812.
Bazheir, N. A. G. (2023). Arab theatre and plays: Developmental stages and challenges. ARTSEDUCA, (34), 167–176.
Binti Arifin, R. (2004). Elements of Bid’ah and Khurafat in Wayang Kulit: A case study in Kota Bharu, Kelantan [Master’s thesis, Kolej Universiti Islam Malaysia]. http://ddms.usim.edu.my:80/jspui/handle/123456789/7183
Dwitayasa, I. M. (2020). Mantra in the text of Dharma Pewayangan. Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies, 4(2), 269–282.
Fawaid, A., Udasmoro, W., & Margana, S. (2022). Islam behind the court wall: Politics and aesthetics of Javanese Islam in Babad Tanah Jawi. In Proceedings of the International Seminar on Language, Art, and Education (ISLAGE 2021) (pp. 76–84). Atlantis Press. https://www.atlantis-press.com/proceedings/islage-21/125970489
Goldstein, T. R., Stutesman, M., & Thompson, B. (2022). Moving with puppets: Preschool children’s gestures during puppet pretence. Cognitive Development, 63, 101198.
Hannula, M., Suoranta, J., & Vadén, T. (2005). Artistic research: Theories, methods and practices. Helsinki: Academy of Fine Arts, University of Gothenburg.
Haris, A. (1998). Innovation and tradition in Islam: A study on Bid’ah as an interpretation of the religion in the Indonesian experience [Doctoral dissertation, Temple University].
Hidayatullah, A., & Bakhri, S. (2021). Dekonstruksi karakter Drupadi dalam pewayangan (studi gender dan living Qur’an mengenai poliandri). Jurnal Sosiologi Reflektif, 15(2), 424–445.
Johnson, I. C., & Lim, D. (2022). Curating shadows: Malayan shadow puppets in Singapore’s Asian Civilisations Museum. Journal of the Malaysian Branch of the Royal Asiatic Society, 95(1), 51–88.
Khalid, M. K. (2015). Rijal Haula Rasul: 60 Sirah Sahabat Rasulullah SAW. Jakarta Timur: Al-I'tishom Cahaya Umat.
Kieven, L. (2022). “The wandering poet”: Depictions on ancient Javanese relief panels. Wacana, Journal of the Humanities of Indonesia, 23(2). https://scholarhub.ui.ac.id/wacana/vol23/iss2/2
Lutfianto. (2020). Religious values in the performance of Wayang Kekayon Khalifah Yogyakarta. In Prosiding Internasional: 4th International Fikrah Annual Conference “Contemporary Islam: Religion in the Human Context” (pp. 129–140). IAIN Kudus Press. http://repository.iainkudus.ac.id/4872/
Lutfianto, & Lukman, F. (2023). Religious message of Abdullah bin Umar Paraga in the Wayang Kekayon Khalifah. Al-Mada: Jurnal Agama, Sosial, dan Budaya, 6(1), 13–24.
Lutfianto, & Munip, A. (2021). Descriptive analysis on the plays of Wayang Kekayon Khalifah: A collaboration among calligraphy, wayang arts, Islamic dialogue, and Java culture. In Proceedings of the 1st International Conference on Arts, Culture, and Social Sciences (ACCESS 2020) (pp. 506–510). Atlantis Press. https://www.atlantis-press.com/proceedings/access-20/125956981
O’Connor, P. (2022). Insights in applied theatre: The early days and onwards. Intellect Books.
Prahmana, R. C. I., & Istiandaru, A. (2021). Learning sets theory using shadow puppet: A study of Javanese ethnomathematics: mathematics, 9(22), 2938.
Puri, L. A., & Kartika, D. S. (2022). Reinterpretation of wayang on Indonesian contemporary art: Case studies “Heri Dono and Indieguerillas.” International and Interdisciplinary Conference on Arts Creation and Studies, 4(1), 29–45.
Putri, V. A., & Az Zafi, A. (2022). Membongkar hukum akulturasi budaya Sunan Kalijaga. Tsaqofah dan Tarikh: Jurnal Kebudayaan dan Sejarah Islam, 6(2), 9–23.
Ras, J. J. (1982). The social function and cultural significance of the Javanese Wayang Purwa theatre. Indonesia Circle. School of Oriental & African Studies. Newsletter, 10(29), 19–32.
Setiawan, A. (2022). Polemic and reasons for reusing wayang and gamelan as a medium for contemporary preaching of Islam in Central Java, Indonesia. Harmonia: Journal of Arts Research and Education, 22(2), 254–267.
Sirithorn, S., Siriwan, S., & Sukhumvada, S. (2022). Thai theatre and the interplay of perfection and imperfection. In Imperfectionist aesthetics in art and everyday life. Routledge. https://www.taylorfrancis.com/chapters/edit/10.4324/9781003251361-12/thai-theatre-interplay-perfection-imperfection-sirithorn-siriwan-sarawanee-sukhumvada
Syafril, E. P. E., & Agel, N. A. (2022). Wayang Sada (Sodo): A medium of Indonesian language learning and cultural introduction for foreign learners. London Journal of Social Sciences, 2(4), 1–12.
Published
2025-10-18
How to Cite
Lutfianto, L., Munip, A., & Maharsi, M. (2025). Utsman bin Mazh’un in Visual, Literature and International Exhibition. Jurnal Kajian Peradaban Islam, 8(2), 178-184. https://doi.org/https://doi.org/10.47076/jkpis.v8i2.239
Section
Islamic Education, Culture, and Social Interaction
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